04 Modern 03 JACKáltaVoz Composers
JACK Quartet
New Focus Recordings FCR150

In this latest release by the JACK Quartet, four Latin American composers are featured, each of whom are members of the composer consortium known as áltaVoz. Members of áltaVoz see it as their mandate to promote cutting edge contemporary music concerts, workshops, symposia and interdisciplinary projects with the intension of providing a provocative forum for artists, institutions and the community at large.

The four quartets on this recording represent the confluence of its members’ willingness to embrace a wide spectrum of aesthetics and influences. First on the disc, composer Felipe Lara’s Tran(slate) invites us into a world of daring gestures, pops and slides, that charmingly evoke playful otherworldly sonic landscapes. The vast array of extended playing techniques is masterfully orchestrated and elevates the composer’s language. Next, José Luis-Hurtado’s L’ardito e quasi stridente gesto creates an unsettling mood as quiet meandering dissonances explode with jagged interruptions. Throughout Mauricio Pauly’s Every new volition a mercurial swerve, process-driven swells and pulses propel the listener into a swarm of rhythmic activity. An ethereal contrast is created with a luminous harmonic lightness before the blistering climax bombards the ear. In Jorge Villavicencio Grossmann’s String Quartet No. 3 “música fúnebre y nocturna,” the only multi-movement work on the disc, we receive the clearest allusions to the tradition of the string quartet. The influence of Bartók is quite clear and reminiscences of tonal centres are unmistakable. This, matched with lively groove-driven passages, secures this work as the most accessible of the lot.

The JACK Quartet has approached each work with a passionate virtuosity and impressive attention to detail. The punchiness and clarity of gesture throughout is a fine example of the quartet’s expressive capabilities. The JACK Quartet is known for impassioned interpretations of contemporary works, and this recording certainly lives up to that expectation.

 

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Author: Adam Scime
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