01_Eliza_Pope.jpgCall Me a Fool
Eliza Pope
Independent (elizapope.com)

Review

Talented vocalist and songwriter Eliza Pope’s debut CD is a delightful potpourri of re-conceptualized Broadway show tunes, jazz standards and original compositions. The project was co-produced by Pope and yeoman keyboardist/arranger Mark Kieswetter, who also performs magnificently on the CD. To say the least, this recording is an auspicious opening salvo for an emerging artist.

Included is a soulful take on Harold Arlen and Yip Harburg’s 1939 Oscar-winner Over the Rainbow. Kieswetter’s contemporary chord substitutions are the perfect complement to Pope’s tasty vocal line. With facile use of her head voice, Pope soars delicately over, around and above the well-known melody, pushing it right into 2015. Also of note is the jaunty Depression-era original Where Will I Find Love, which evokes a historical mode without becoming derivative of it – no easy task! Eric St. Laurent’s well-placed acoustic guitar work is exceptional on this track, calling to mind a young Charlie Christian. Another fine original is Try, which explores a more pop-oriented aspect of Pope’s versatile vocal and writing style.

A standout is Feeling Good, penned by Anthony Newley and Leslie Bricusse for their hit Broadway show, The Roar of the Greasepaint – The Smell of the Crowd. Pope makes wonderful use of her lower register here, and resists the temptation to convert this tune into an overwrought cabaret anthem. Pope also displays her ability to swing, with a thoroughly delightful rendition of Fats Waller’s Crazy ’Bout My Baby. Noted bassist Ross MacIntyre provides the necessary backbone here, and truly shines on this groovy cooker. Of particular beauty is the gorgeous ballad Little Girl Blue, written by Rogers and Hart for the 1935 Broadway musical Jumbo and rendered by Pope with the full intent of the genius composers firmly in place.

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