Vivaldi – New Discoveries II
Modo Antiquo; Federico Maria Sardelli
Naïve OP 30534
The story behind this disc is a fascinating one. As explained in the handsome and comprehensive accompanying booklet, the recording is made up entirely of newly-discovered operatic and instrumental music by Vivaldi, found over the past 20 years in various private and public collections in England, Scotland, Belgium and Germany. These include a flute concerto, two sonatas and one concerto for violin, and four arias from the opera L’inganno trionfante in amore.
The CD opens with an exuberant flute concerto titled “Il Gran Mogol,” found in Edinburgh in the archives of the 18th century amateur flutist Lord Robert Kerr. The violin sonatas (from the Foundling Museum in London) and concerto (found in Dresden) are exciting, virtuosic and inventive works. The opera arias date from around 1725, when a documented performance of L’inganno trionfante in amore took place in Venice. These arias, from a score long thought lost, turned up in 1995 in the Royal Library of Belgium!
The performances on the disc are of a uniformly high quality, with special mention going to the brilliant transverse flute playing of Alexis Kossenko and the fanciful and endlessly varied playing of violinist Anton Steck. Risk-taking like this is imperative to bring Vivaldi’s music off the page.
While we are familiar with Vivaldi’s deep impact on composers such as J.S. Bach, this recording is another reminder of how wide-reaching Vivaldi’s influence was across Europe in the early 18th century.
